Heroes of the Zeroes is Nick Rogers’ daily, alphabetical look back at the 365 best films of 2000 to 2009.
Juggling at least seven different plots, 2003’s 133-minute X2 wasn’t much for the whole brevity thing as was its 104-minute predecessor.
Good thing, as Bryan Singer’s introductory X-Men film felt tentatively truncated in hesitant hopes these mutants at large would generate a franchise.
Singer’s first blockbuster foray into directorial carte blanche effortlessly entertained, thanks to brisk pacing and Singer’s own sure-handed direction. (When Singer bailed on a hastily thrown-together third installment to film Superman Returns, that job went to Brett Ratner — a director marking the franchise only with feces.)
Struggles with rage, alienation and faith rarely shine through explosions and rescues, but Singer paid as much attention to storytelling as spectacle — allowing X2’s messaging to make its points without sappiness.
Ramping up the political undertones of human-mutant relations, X2 puts harmonious coexistence asunder after a presidential assassination attempt. Fearing war, X-Men leader Charles Xavier (Patrick Stewart) uncovers a mutant-genocide plot hatched by General William Stryker (Brian Cox), who harbors personal hatred for the species.
Though blockbuster bloat was inevitable (a pull-out-all-the-stops finale goes on too long and romantic entanglements ensue among nearly every X-Man and Woman), X2 dexterously balances action, comedy and drama.
A battle between Wolverine (Hugh Jackman) and Deathstrike (Kelly Hu) evokes the climactic brutality of Terminator 2: Judgment Day, and the introduction of another wheelchair-bound mutant proves a powerful, uncommonly somber moment.
As its mutant characters differ from humans, X2 evolved differently from most other comic-book cash cows into something sadder, saucier and significantly smarter.