Tagged 2019

A fully immersive, hallucinatory hell-trip

Meathead cinema both below, and beyond, its filmmakers.

A stalker thriller that's effectively lurid despite a moronic script.

Ba-ba dook-dook-dookie.

Far too twee at times, but this bromantic dramedy ultimately packs a wallop.

An initially shiftless sequel that finds its way to frivolous fun.

A sturdy black comedy that doesn't quite earn its remake status.

As creepy-kid horror goes, this is the middle of the curve.

An underwhelming sophomore effort from director Nicolas Pesce.

A generously gory, outlandishly funny horror-satire.