Long and dumb, with a real feel of infinity.
More engaging misery business than most of its ilk, but still bogged down by bombast.
A belabored setup gives way to an improvement upon the original on nearly every front.
A stunning, challenging final hurtle of truth and consequences.
Kay Cannon's directorial debut is one of the best mainstream sex comedies in years.
Clint Eastwood's latest warm-milk paean is his worst film in nearly 20 years.
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