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Heroes of the Zeroes: Lucky You (2007)

Gambler Huck Cheever (ERIC BANA) is attracted to struggling singer Billie Offer (DREW BARRYMORE) in Warner Bros. PicturesÕ and Village Roadshow PicturesÕ drama ÒLucky You,Ó distributed by Warner Bros. Pictures. The film also stars Robert Duvall. PHOTOGRAPHS TO BE USED SOLELY FOR ADVERTISING, PROMOTION, PUBLICITY OR REVIEWS OF THIS SPECIFIC MOTION PICTURE AND TO REMAIN THE PROPERTY OF THE STUDIO. NOT FOR SALE OR REDISTRIBUTION.

Heroes of the Zeroes is Nick Rogers’ daily, alphabetical look back at the 365 best films of 2000 to 2009.

There were worse shaggy-sportsman dramedies for Curtis Hanson’s Lucky You to emulate than Tin Cup.

Like Kevin Costner’s Roy McAvoy, Texas Hold’em poker shark Huck Cheever’s (Eric Bana) impulses clouded his intelligence and skill. As with Tin Cup’s multiple-mulligan conclusion, Lucky You ended on a surprisingly non-competitive note. And it’s not without a spot of golf — a gangbusters gambler’s triathlon of running five miles, walking 18 holes and shooting par in three hours.

Unlike Tin Cup, next to no one saw 2007’s Lucky You. Shelved for two years, it eventually hit 2,500 theaters the same weekend as Spider-Man 3 and folded with a $2.7-million opening. Still, Lucky You  had seats at its table for cajoling comic charm and compelling drama about personal obsession and parental mistakes.

Living from chip to chip, Huck is a Sin City swindler to whom people seemingly surrender in exchange for entertaining stories to tell. While raising a stake for the World Series of Poker, Huck falls for a new-to-town chanteuse (Drew Barrymore) and, in several mesmerizing, heated exchanges, butts heads with his estranged poker-champ dad (Robert Duvall, in the rare Zeroes role where he’s not window-dressing).

Lucky You concerns itself with wage-makers’ addictive pathological itch, their desperate hustle for cash and poker’s cult of very strange personalities over the cards that compose a winning hand. (Hanson and Eric Roth’s script does clarify that “flop” isn’t just a term to describe the film’s box office.) Its most striking Tin Cup kinship: Knowing vindication and victory don’t always arrive together.

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