Tagged Nick Rogers

Your inoffensively competent French-thriller remake du jour.

Fine when its silliness approaches self-parody. Should've stayed that way.

Enjoyable and energetic but hardly essential.

Can ya bigot?

Adam Sandler's movie titles now match their genericism.

An efficient, effective concerto of coiled tension.

Nick takes a quick look at "Poms," "The Intruder" and "Wine Country."

The only super-cool thing about this? The song "Super Cool."

The MFJ's monthlong Gerard Butler retrospective ends with his most surreal six minutes.

Nick argues for the greatest Gerard Butler film ever made.