Heroes of the Zeroes is Nick Rogers’ daily, alphabetical look back at the 365 best films of 2000 to 2009. Zoolander is the final entry in the series. In reverse alphabetical order, every entry can be found starting at this page.
Ben Stiller often forgoes go-for-broke comedy in favor of getting rich. Not in 2001’s Zoolander, where his sharp directorial incisors chomped at fashion’s vanity and vapidity.
Gags about white co-opting of Black culture sowed seeds for Tropic Thunder. Bulimia was endorsed in ersatz fashion. Cell phones were prophetically puny. There was enough room in an orgy for Sherpas and Finnish-dwarf musicians. And the Derelicte campaign inspired by the homeless … well, not far off.
Not only Cuba Gooding Jr. and Billy Zane’s best Zeroes work, Zoolander remains Stiller’s flat-out funniest film — down to the DVD menu.
Male modeling’s addlebrained ambassador, Derek’s crinkled forehead simultaneously signifies idiocy, curiosity, sadness and anger. Stiller so drastically contorts his face it’s a wonder his puss didn’t freeze in pursed-lip ridiculousness — the crux of Derek’s “looks” like Blue Steel, Le Tigre and Ferrari.
When Derek loses popularity to free-spirit upstart Hansel (Owen Wilson, also markedly goofy-looking with his knobby nose), he learns aging models have become patsies for major assassinations … and he’s next.
As villainous fashion designer Mugatu, Will Ferrell concocts an odd, comic variation of Vincent D’Onofrio’s The Cell psychopath. Like the Hannibal Lecter of effeminate rogues, Ferrell makes maximum impact in minimum time — his climactic squealing freak-out one of Ferrell’s most gaspingly funny bits.
Stiller is preferable in goofy character mode than as an interchangeable nebbish. His accountant and agent might not have much appreciated the underperforming Zoolander, but fans of his fearlessness on the fringe in the 1990s sure did.