An impressive throwback to '70s cinema thats ultimately less than the sum of its parts.
Mitch Ringenberg argues why Michael Mann's first film deserves classic status.
The newest gonzo Nic Cage genre picture premieres at this year's Sundance.
A messy script can't hind the raw talent behind Jerrod Carmichael's bold directorial debut.
One of the last decade's best — and sadly underseen — documentaries gets new life from Criterion.
Mitch Ringenberg counts down his 10 favorite movies of 2020.
Black Bear — which premiered in January this year at the Sundance Film Festival — at first seems like your prototypical festival entry and not necessarily in a good way either: a dialogue-driven drama shot on handheld cameras, with overt horror overtones and a scathing portrayal of indulgent characters in the world of indie filmmaking.… continue
It seems a bit cheap to open a review of Possessor, the second movie to be written and directed by Brandon Cronenberg, by comparing his work to that of his father.… continue
Riz Ahmed elevates a familiar story with an incredible lead performance.
For most of his life, Evan Dossey has generally avoided horror films.… continue