Tagged thriller

A cult movie unlikely to find a cult.

Shrewd, sleek and truly scary.

Bargain-bin ignominy and interesting idiosyncrasies.

As if Michael Haneke directed "The Bye Bye Man."

Takashi Miike's latest finds him in (mostly) peak form.

Immersive and immediate but ultimately indistinct.

Finds a backbeat, then willfully abandons it.

Aware of tangible ghouls but focuses on tired ghosts and gotchas.

Mitch Ringenberg counts down his favorite movies of 2019

Adam Sandler crushes it as one of the decade's most despicable (and compelling) anti-heroes.